Tom Liesegang (Artist) Wiki, Biography, Age, Wife, Net Worth

If you look a little more closely at the print, you’ll also see a colorful map, to the right. It depicts part of the southern coast of Holland, not far from where Heesen’s facilities are located. Liesegang likes to incorporate additional elements that have a personal point of reference for the owner. Whether it’s something like this, or even the homeport of the yacht, Liesegang believes it’s essential, so that the piece is truly custom and unlike any other. Even the custom frames for his prints have a personal connection. 4You’s print frame isn’t shown here, but it’s made of the same wood that adorns her interior.
So how does Liesegang create these works of art? Through a chemical process and sanding that allow him to etch the aluminum. He also works closely with the shipyard’s management team and the naval architects to select and interpret the architectural drawings, then the cabinetry shop for the frame.

Humor is absent from Tom Liesegang’s portraits of Christian martyrs, also a favorite subject of 17th century Baroque artists commissioned by the Catholic Church. Liesegang invokes the Berniniesque strategy of depicting (and thuse engaging the viewer in) the horrific moment of martyrdom. In the triptych “The Martyrdom of Margaret Clitherow,” as 16th-century English woman crushed to death by judicial order, Liesegan accompanies paintings of a woman’s bound foot and hand with a real brass weight – a material reminder of the contemporary world similarly weighted by torture and injustice.

Since 2013, Liesegang is back in the United States and now divides his time between his painting studio in central Massachusetts and his involvement with the Amsterdam Grafisch Altelier art studio in Amsterdam.

While in Amsterdam, Liesegang and film-maker Catharina Ooijens created Orka Fine Arts in 2004. The two created a documentary film concerning the Nazi confiscation of the Dutch International Archive for Woman. The film, titled, Private Possession, is in the permanent archives at the Hague.

Liesegang’s painting is considered diverse and thematic, characterized by textured surfaces and bold graphic imagery often structured as diptychs. Much of Liesegang’s work of the 1980s and 90’s referenced history in order to confront contemporary issues such as geopolitics, sexuality, death, and religion. Direct observation of nature characterizes his most recent work.

After a brief sojourn to Los Angeles in 1977-1978, Liesegang returned to Boston to begin his art career. With no formal training beyond private painting lessons at age 12, exhibition of his work began in 1980 and continued into the 1990s. In 1992, Liesegang relocated to New York City, switched from acrylic to oil painting and explored the diptych narrative format. In the aftermath of 9/11, Liesegang moved to Amsterdam where he began his foray into printmaking. Tombstone rubbings, often taken from the floors of some of Europe’s oldest cathedrals and transferred into the screen printing process, inspired the artist to also incorporate the visual structure of illuminated manuscripts into his print work.

Inspired by Michelangelo’s Pietà at the 1964 New York World’s Fair, Liesegang knew at nine years of age that he wanted to become an artist. Upon graduation from high school, Liesegang supported himself with his composition skills as a window decorator for a chain of woman’s fashion stores throughout New England.

As his art evolved, Liesegang found himself returning to themes that had inspired him as a twelve year old working class kid in Boston: drawings and paintings of clipper ships, sea battles and other maritime themes but with a twist born out of the inspiration of 1960s cover art for ship model kits and wartime propaganda posters. Periscope views became one of Liesegang’s signature themes, which has been instrumental in redefining maritime art for the 21st century.

Tom Liesegang (Thomas Kirby von Richter Liesegang, born May 24, 1955) is an American artist who has lived and worked in Boston, New York and Los Angeles, as well as Amsterdam, Netherlands. His art is held in many public and private collections throughout the world.